This is a quote from Simon Dale’s website who has built several eco-friendly ‘Hobbit’ houses. It reminded me of the cave house built into lava bubbles by Lanzarote’s most famous artist César Manrique:
Being creative with what is available has an appeal beyond economical necessities.
As a teenage hobby astronomer I built a mounting for my small telescope from pieces of wood and metal I found at home. It allowed for rotation about two axes. (I don’t have an image which is probably good.)
As a scientist at the university your labor is cheap but professional equipment is much too expensive. So you have to tinker. My experimental apparatus included a toy motor moving an optical lens, and a water-cooled projector’s bulb was the radiative heater mounted inside my vacuum chamber.
We investigated the growth of superconducting thin films deposited from a vapor ‘plume’ caused by shooting very short UV laser pulses onto a ceramic sample. There was no fancy high-speed device: We took photos of that plume using a normal camera and called it Time-Integrated Photography in scholarly lingo. We found some interesting scaling laws though.
Maybe the desire to build something from anything and to use whatever tool is at hand is the true connection between my diverse activities.
Most IT infrastructures are historically grown and you hardly ever find that green field people would like to install their solutions in. If you don’t like bottom-up tinkering it is just a source of endless frustration. Otherwise it is a noble Apollo-13-like challenge.
The same goes for tinkering with an old house. In the moment we are puzzling about an underground tank powered heat pump system for a house that will be built on top of a high-rise bunker.
This is not uncommon in some German cities where unused building land is scarce and thus expensive. Here is an example of a musician’s studio built on top of a bunker in Frankfurt:
… a World War II bunker in Frankfurt that had been previously disguised as a house because it was too expensive to demolish. In a crappy part of town, “a no man’s land between heaps of gravel and dumps, piled-up recycling-products and containers that await their shipping”, the architects decided to rise above it all …
I believe in true innovation driven by necessities and constraints (only). Nassim Taleb’s derision of Soviet-Harvard-style planned ‘research’ struck a chord with me. He challenged the alleged causation usually invoked by politicians and people working in taxpayer-funded committees that ‘steer’ and ‘manage’ innovation at three meta-levels above the ground of honest hands-on work: It is plausible that bottom-up tinkerers trigger innovation which in turn allows countries for building prestigious universities and think-tanks; not the other way around.
Having finished my PhD I saw a report on TV about a mechanic – a craftsman without a degree who was introduced as an inventor. I forgot what the invention actually was but I do remember his apparatus very much reminded me of the vacuum chamber I had worked with – when doing Time-Integrated Photography. I figured: Wow, he calls ‘tinkering’ what we would have written academic papers about! Fast-forward 20 years, I read conference papers on heat pumps and think: Wow, they call research what we call tinkering!
Exit the scientist and enter my subversive, poetic subconsciousness. They are perhaps not that different.
Isn’t this question – What is research? – remotely related to What is art? Or am I just too fond of satirical submissions to academic journals – both art- and science-related ones? It is maybe not an accident that an artist’s cave house came to my mind.
I have called our solar collector Art from Plastic and Wood tongue-in-cheek, here shown in behind another object awaiting further art-ification:
Search Term Poetry and Spam Poetry are just another way of tinkering with something at hand. I was recently baffled by academic articles on so-called Flarf Poetry – so there are at least some experts for whom my so-called art would qualify as such. Don’t worry – I don’t insist of this. But I do wonder if ‘serious’ art is always driven by some sort of necessity, too.
By the way, right when I had the linked post on flarf poetry in the making I was invited to contribute some – to a real serious (?) art project. And so I did – consider this a cliffhanger.